Personnel: Dave Brubeck (piano); Bobby Militello (flute, alto saxophone); Bill Airey Smith, Bill Smith (clarinet); Paul Desmond (alto saxophone); Gerry Mulligan (baritone saxophone); Christian McBride, Eugene Wright, Michael Moore , Stanley Poplin, Chris Brubeck, Jack Six (bass instrument); Joe Morello, Alan Dawson (drums, drum); Randy Jones (drum).

Audio Mixers: Ron Davis; Stephen Hart .

Liner Note Author: Bob Blumenthal.

Authors: Tim "T-Bone" Jackson; Jason Olaine.

Photographer: Ray Avery.

This compilation, released in 2008, brings together 50 years of live appearances from Dave Brubeck and his groups at the Monterey Jazz Festival. If the mere fact that Brubeck has been playing Monterey from 1958 straight through to 2007 wasn't impressive enough, the consistency of his dazzling musicianship should do the trick. Naturally, Brubeck plays with a variety of musicians over the years, but each of his ensembles glow with the precision, swing, and that particular mix of classical and improvisatory elements for which the artist is known. Whether on standards ("Someday My Prince Will Come"), post-bop work-outs ("Jumping Bean"), or signature tunes ("Take Five"), Brubeck comes on strong, impressing with his range, vitality, and endurance.

Dave Brubeck appeared at the Monterey Jazz Festival on so many occasions since its launching in 1958 that it seems like compiling highlights to make up just one CD should have been an impossible task. But Brubeck's longtime manager Russell Gloyd was involved with co-producing this compilation and the result should please the pianist's fans. Brubeck hardly fits the stylistic molds of some of his critics in this collection, that he is too bombastic or dismissing him merely as a cool player. The pianist not only evolves as a player and composer, but shows an incredible knowledge of music from earlier eras. His classic quartet with alto saxophonist Paul Desmond is well-represented with a lengthy excursion into Brubeck's "Two Part Contention" (with its intriguing use of counterpoint), the always swinging treatment of "Someday My Prince Will Come," and the crowd-pleasing favorite "Take Five" (though it suffers from over-modulation). Two tracks are from his years with baritone saxophonist Gerry Mulligan, bassist Jack Six, and drummer Alan Dawson, including Brubeck's lonely, exotic "The Sermon on the Mount" and Mulligan's spry Latin-flavored "Jumping Bean." Brubeck's challenging "Tritonis" features Bobby Militello on flute in an extended solo recalling Rahsaan Roland Kirk's simultaneously singing and playing, in addition to regular quartet members Bill Smith (clarinet), electric bassist Chris Brubeck, and drummer Randy Jones. Bassist Stan Poplin is the pianist's sole accompanist for Brubeck's poignant memorial tribute written following Mulligan's death, appropriately titled "Goodbye Old Friend." A delightful romp through "I Got Rhythm" showcasing Miltello on alto sax and guest Christian McBride. Brubeck dug deep to recall old chestnuts like the blazing "Sleep" and the loping, easygoing "Margie" (the latter featuring Michael Moore's amusing arco bass). While Brubeck fans may regret the omission of two suites that the pianist premiered at the Monterey Jazz Festival, "^The Real Ambassadors" (with Louis Armstrong) and "Cannery Row Suite" (with Kurt Elling and Roberta Gambarini), hopefully these performances will appear in later volumes of this superb series recorded at the legendary festival. ~ Ken Dryden