A Hard Day's Night was the first Beatles album of all-original material, and the first to feature George Harrison playing his Rickenbacker electric 12-string guitar (on the opening chord of "A Hard Day's Night," for instance). The distinctive sound of the 12-string inspired countless guitarists including Roger McGuinn and David Crosby of the Byrds. The film from which these songs hail remains a classic combination of happy '60s na‹vet‚ and nascent hipster wit. Many of the most important rock bands to emerge in the latter half of the '60s came into being because of A Hard Day's Night's irresistible vibrancy. The tunes flow like the finest red wine, as the title track leads to the glorious harmonica of "I Should Have Known Better" and the powerfully poignant "If I Fell."

A Hard Day's Night not only was the de facto soundtrack for their movie, not only was it filled with nothing but Lennon-McCartney originals, but it found the Beatles truly coming into their own as a band. All of the disparate influences on their first two albums had coalesced into a bright, joyous, original sound, filled with ringing guitars and irresistible melodies. A Hard Day's Night is where the Beatles became mythical, but this is the sound of Beatlemania in all of its giddy glory. Decades after its original release, its punchy blend of propulsive rhythms, jangly guitars, and infectious, singalong melodies is remarkably fresh. There's something intrinsically exciting in the sound of the album itself, something to keep the record vital years after it was recorded. Even more impressive are the songs themselves. Not only are the melodies forceful and memorable, but Lennon and McCartney have found a number of variations to their basic Merseybeat style, from the brash "Can't Buy Me Love" and "Any Time at All" through the gentle "If I Fell" to the tough folk-rock of "I'll Cry Instead." It's possible to hear both songwriters develop their own distinctive voices on the album, but, overall, A Hard Day's Night stands as a testament to their collaborative powers -- never again did they write together so well or so easily, choosing to pursue their own routes. John and Paul must have known how strong the material is -- they threw the pleasant trifle "I'm Happy Just to Dance With You" to George and didn't give anything to Ringo to sing. That may have been a little selfish, but it hardly hurts the album, since everything on the record is performed with genuine glee and excitement. It's the pinnacle of their early years. ~ Stephen Thomas Erlewine

Ranked #1 in EW's "100 Best Movie Soundtracks" - "...A blitzkrieg of black-and-white imagery that changed the way we see the world. We can't think of a better definition of a great soundtrack."

Q (Magazine) (9/99, p.136) - Included in Q Magazine's Best Happy Albums of All Time - "...the sound of young men almost astonished by their fecundity and melodic gifts....they never sounded happier."

Q (Magazine) - Ranked #5 in Q's "100 Greatest British Albums"