Personnel: Irma Thomas (vocals); Dirk Powell (electric guitar, fiddle); Sonny Landreth (slide guitar); David Torkanowsky (electric piano, Hammond b-3 organ); James Singleton (acoustic bass); Stanton Moore (drums); Charles "Chucky C" Elam, III, Marc Broussard, Juanita Brooks (background vocals).

Although Irma Thomas reportedly chose the songs for her 2006 album, AFTER THE RAIN, prior to Hurricane Katrina's devastation of her hometown of New Orleans, there is simply no avoiding the specter of that disaster as it looms over the performances on this collection. The very best R&B has always been built around both a response to heartache and a refusal to be defeated by it, and that notion is clearly evident in Thomas's moving, soul-deep renderings of the 13 tracks here. Standouts include her take on Arthur Alexander's aching "In the Middle of it All"; a spare, bluesy reading of Blind Willie Johnson's "Soul of a Man"; and the simple, gospel-tinged piano-driven closer, "Shelter in the Rain."

A rumor circulated after Hurricane Katrina devastated the Gulf Coast at the close of summer in 2005 that Louisiana soul great Irma Thomas was one of the missing. The rumor, fortunately, turned out to be false -- she was gigging at the time in Austin -- but Thomas' New Orleans home was completely destroyed. The shadow of Katrina hangs large over After the Rain, Thomas' first new album in six years, and several of the songs take on an added poignancy because of the tragedy, most tellingly the cover of Arthur Alexander's "In the Middle of It All" which opens this set and a stunning version of the traditional blues spiritual "Another Man Done Gone" with its telling line "another storm has come." It would be easy to call this album Thomas' response to the devastation, and to a great extent it is, but except for "Another Man Done Gone," all of the songs here were chosen for the recording sessions well before Katrina developed. Coincidence or not, though, the dominant image in these tracks is one of rain, of storms washing things away, and Thomas gives each song a kind of elegant resignation with her low-key vocal approach, until the whole album seems like one long whispered effort to recapture hope in the future. Storms wash things away, often things we dearly love, Thomas seems to be saying, and here is what we're left with, ourselves and our need to believe that there's a reason for all of the pain we're forced to carry. Mostly muted and acoustic, After the Rain cautiously stretches out like a slow train pulling away from the platform, and tracks like "Another Man Done Gone," the old blues nugget "Make Me a Pallet on Your Floor," and a stripped-down (just acoustic guitar, banjo, and percussion) version of Blind Willie Johnson's blues gospel classic "Soul of a Man" all share a certain restless searching for answers. Maybe there aren't any answers. Another storm has come. Not everything can be washed away. That, at least, is something to cling to, and After the Rain, in the end, is gently hopeful. ~ Steve Leggett

Living Blues (p.36) - "It's perhaps the most subtle recording of her long career....The use of acoustic bass, in place of the usual electric, also helps give the proceedings a laid-back feel."

Mojo (Publisher) (p.90) - 3 stars out of 5 -- "[The songs] have taken on an added poignancy....Brimming with perspicacity and faith."