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Soundtrack: Twilight
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First Recording Sessions 1941-1946
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Originally Released: 1993
Discs: 1
Label: Document (USA)
Item Number: ALE851462

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First Recording Sessions 1941-1946
Track Listings
  Title
Listen
1.    Country Blues
2.    I Be's Troubled
3.    Ramblin' Kid Blues
4.    Rosalie
5.    Joe Turner Blues
6.    Pearly May Blues
7.    Take a Walk With Me
8.    Burr Clover Blues
9.    I Be Bound to Write to You
10.    You Gonna Miss Me When I'm Gone
11.    You Got to Take Sick and Die Some of These Days
12.    Why Don't You Live So God Can Use You
13.    Country Blues (No.2)
14.    Mean Red Spider
15.    I'm Gonna Cut Your Head
16.    Atomic Bomb Blues
17.    Tomorrow Will Be Too Late
18.    Jitterbug Blues
19.    Hard Day Blues
20.    Buryin' Ground Blues
21.    Come to Me Baby
22.    You Can't Make the Grade
23.    Rollin' and Tumblin' Pt. 1 - (bonus track)
24.    Rollin' and Tumblin' Pt. 2 - (bonus track)
Personnel includes: Muddy Waters, Percy Thomas (vocals, guitar); Baby Face Leroy Foster (vocals, drums); Charles Berry (guitar); Louis Ford (mandolin); Little Walter (harmonica); Sunnyland Slim, James Clark (piano); Ransom Knowling (bass); Judge Riley (drums).

Recorded at Stovall's Plantation, Mississippi, Clarksdale, Mississippi and Chicago Illinois between 1941 & 1950. Includes liner notes by Jake Gittes.

This disc is essential for even casual fans of the legendary bluesman Muddy Waters, because unlike any other recordings in his long and prolific career, the cuts featured here show the roots of his idiosyncratic style of electrified Chicago blues. More to the point, the first 13 tracks, recorded in Mississippi in 1941 and 1942, are neither electric nor Chicago-style full-band blues, but straight-up acoustic country blues in the Delta style. The self-explanatory "Country Blues" is Waters' first recording, and in it, one can already hear his trademark lyrical slide guitar, albeit in nascent form. Blues like "Why Don't You Live So God Can Use You" and "You Got to Take Sick and Die Some of These Days" are as painful and mysterious as their titles. The remaining 11 tracks, which were recorded in Chicago in the mid-'40s and include an early "Rollin' and Tumblin'," show Waters developing his electrified full-band style.


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