Just out of Harvard medical school, Sam (Christian Bale) and his fiancée Alex (Kate Beckinsale) seem destined for a life of privilege. Intending to find an apartment of their own in Los Angeles--where Sam will do his residency and Alex will complete her dissertation--they decide to stay temporarily with Jane (Francis McDormand), Sam's free-spirited, record producer mother who never provided straight-arrow Sam with the stability he so obviously craves. Jane has just left her longtime lover for Ian (Alessandro Nivolo), the young British musician whose band she is producing. At the expense of her studies, Alex gradually becomes entranced by Jane's carefree, pot-smoking ways--as well as by Ian--at the same time that Sam encounters temptation at the hospital in the form of Sara (Natasha McElhone), a beautiful young resident.
Lisa Cholodenko's (HIGH ART) film uses an unconventional mother-son relationship to examine how parents' decisions affect our lifestyle choices as adults. Playing the flipside of her role in ALMOST FAMOUS, McDormand imbues Jane with the appropriate libertine's spirit, an attitude that she finally turns her back on when it finally gets in the way of her son's future. An effective score by Craig Wedren and memorable songs by Sparklehorse lend authenticity to the film's music biz backdrop.
Theatrical Release: MARCH 7, 2003 (NY/LA)
Review 1:
"...It confirms the filmmaker's talent as an acutely observant chronicler of upscale bohemian subcultures....LAUREL CANYON is superbly acted..."
Source: New York Times
p.E18 03/07/2003
Review 2:
"...[A] compelling tale of a free-spirited record producer, played with perfect pitch by Frances McDormand..."
Source: USA Today
p.11D 03/07/2003
Review 3:
"..The film succeeds as a sharp comedy of manners....All the actors do an excellent job -- particularly McDormand..."
Source: Movieline's Hollywood Life
p.48-9 03/01/2003
Review 4:
"...McDormand is ascendant..."
Source: Chicago Sun-Times
p.28 03/28/2003
Review 5:
"...The helmer again displays her skill with actresses by eliciting a cracking turn from Frances McDormand..."
Source: Total Film
p.98 12/01/2003
Review 6:
"LAUREL CANYON is an understated, shrews film....Grand."
Source: Uncut
p.148 12/01/2003
Review 7:
"McDormand is ravishing in every way..."
Source: Sight and Sound
p.50 12/31/2003
Review 8:
"...[McDormand] makes Jane ripe, real, and irresistible..."
Source: Entertainment Weekly
p.45 03/14/2003
Review 9:
"...There are stand-out performances, particularly from McDormand. And Indie-rock aficionados will drool as they watch the real-life Folk Implosion play the music of Sparklehorse..."
Source: Film Comment
p.77 03/01/2003
Review 10:
"...The best part of LAUREL CANYON is McDormand's sexy, tough performance, which creates a terrific gravitational pull..."
Source: Los Angeles Times
p.C8 03/07/2003