LIVE AT THE BBC is a 2-CD set containing 69 live tracks, all of which are previously unreleased. Also included is a 48-page booklet with track-by-track annotations and essays by Derek Taylor and Kevin Howlett.

The Beatles: John Lennon, Paul McCartney, George Harrison, Ringo Starr.

Producers include: Bryant Marriott, Bernie Andrews, Terry Henebery, Ian Grant, Ron Belchier.

Compilation producer: George Martin.

Recorded live between 1962 and 1965. Includes liner notes by Derek Taylor & Kevin Howlett.

Digitally remastered by George Martin.

LIVE AT THE BBC was nominated for a 1996 Grammy Award for Best Historical Album.

Liner Note Authors: Derek Taylor; Kevin Howlett.

Recording information: Aeolian Hall Studios, London, England (01/22/1963-05/26/1965); BBC Paris Theatre, London, England (01/22/1963-05/26/1965); Broadcasting House Concert Hall, London, England (01/22/1963-05/26/1965); Maida Vale Studios, London, England (01/22/1963-05/26/1965); Piccadilly Theatre, London, England (01/22/1963-05/26/1965); Playhouse Theater, Manchester, England (01/22/1963-05/26/1965); Playhouse Theatre, London, England (01/22/1963-05/26/1965).

Unknown Contributor Role: The Beatles.

From 1962 to 1965, the Beatles made 52 appearances on the BBC, recording live-in-the-studio performances of both their official releases and several dozen songs that they never issued on disc. This magnificent two-disc compilation features 56 of these tracks, including 29 covers of early rock, R&B, soul, and pop tunes that never appeared on their official releases, as well as the Lennon-McCartney original "I'll Be on My Way," which they gave in 1963 to Billy J. Kramer rather than record it themselves. These performances are nothing less than electrifying, especially the previously unavailable covers, which feature quite a few versions of classics by Chuck Berry, Little Richard, Carl Perkins, and Elvis Presley. There are also off-the-beaten-path tunes by the Everly Brothers and Buddy Holly on down to obscurities by the Jodimars, Chan Romero (a marvelous "Hippy Hippy Shake"), Eddie Fontaine, and Ann-Margret. The greatest gem is probably their fabulous version of Arthur Alexander's "Soldier of Love," which (like several of the tracks) would have easily qualified as a highlight of their early releases if they had issued it officially. Restored from existing tapes of various quality, the sound is mostly very good and never less than listenable. Unfortunately, they weren't able to include every single rarity that the Beatles recorded for the BBC; the absence of Carl Perkins' "Lend Me Your Comb," which has circulated on bootlegs in a high-fidelity version, is especially mystifying. Minor quibbles aside, these performances, available on bootlegs for years, compose the major missing chapter in the Beatles' legacy, and it's great to have them easily obtainable in a first-rate package. ~ Richie Unterberger

Although the guitars are often electric, LIVE AT THE BBC is, essentially, the Beatles Unplugged--yanked out of the recording studio, gathered around a few microphones and encouraged to show off their raw craft, naked voices and rock'n'roll roots. MTV didn't exist in the early '60s, but the BBC did, and between March 1962 and June 1965 (a period that spans their first four albums and takes them from the simplicity of "Love Me Do" to the complexities of "Ticket To Ride") the Beatles performed 52 times on England's national radio network. Although they had honed their craft in British and German rock clubs, the Beatles were mostly known as a studio band, and the radio shows served as a sort of behind-the-curtains glimpse of the studio wizards.

Most of these performances are covers of early rock, pop and country songs, and the scope of them is wider and deeper than the covers the Beatles put on their albums. There are obvious influences--Chuck Berry, Elvis and Little Richard rockers, and traditional pop ballads--along with lesser-known pop footholds that hint at how/where the Beatles bridged the gap between rock's teen-age years and its adulthood. They covered soul singer Arthur Alexander only once on their original records ("Anna"), but twice here, and the combination of R&B drive and complex pop changes that fuels both "Soldier Of Love" and "A Shot Of Rhythm And Blues" gives away one of the primary sources of Beatles style. John Lennon's vocal on "I Just Don't Understand," an Ann-Margret pop song, foreshadows the downbeat folk-rock with which the Beatles made their mark in the mid-'60s.

A baker's dozen of Lennon/McCartney originals are spread through the set, including one, a jangly folk-rocker titled "I'll Be On My Way," that they never recorded. The John-Paul-George harmonies are in full bloom, as is the Beatlesque sense of humor. There's one terribly obvious overdub, but the rest of LIVE AT THE BBC sounds like rock'n'roll's greatest living-room sessions.

Rolling Stone (1/26/95, pp.59-60) - 4 Stars - Excellent - "...the set best serves as a reminder of the Beatles' multiple gifts....It captures the last possible moment when playing rock & roll could be unadulterated fun..."

Entertainment Weekly (12/9/94, pp.74-75) - "...a reminder that the Beatles made an indelible mark as songwriters, record makers, and personalities....a quaint memento of a time that sounds more innocent than its mythology now dictates..." - Rating: B

Q (1/95, pp.266-267) - 3 Stars - Good - "...on the cusp between their influences and their innovations....The Beatles were not important because they played such a storming version of 'Johnny B. Goode,' but...because they found a way of transcending 'Johnny B. Goode' altogether..."

Musician (3/95, p.88) - "...proof that the range and clarity of The Beatles' sound was the result of years spent covering the great R&B and rockabilly hits of the '50s..."

NME (Magazine) (12/24/94, p.23) - Ranked #5 in NME's list of the 10 best compilation albums of 1994.

NME (Magazine) (12/3/94, p.41) - 9 - Excellent Plus - "...this is the motherlode, the ore from which [the Beatles'] future art was smelted. No pop band would ever have such a rich source of fresh material to work from..."