Personnel includes: Redman, DMX, DJ Kool, Scarface, Keith Murray, Missy "Misdemeanor" Elliot, Method Man, Treach, Jewell, Mally G, Icarus, Saukrates, George Clinton, Streetlife, Adam F, Double O, D-Don, Roz, Shooga Bear, Martini Harris, Nasty Naj, Te Te, G. Forbes, Thomas Lytle.

Producers include: Da Mascot, Erick Sermon, Adam F, Diverse, DJ Twinz.

Engineers include: Tommy Uzzo, Kevin Lewis, Mike Koch.

Recorded at Mirror Image Studios, New York, New York; Westlake Studios, Newbury Park, California; The Enterprise, Burbank, California; Soundcastle Recording Studios, Los Angeles, California; Kaos Recording Studios, London, England.

Personnel includes: Redman, DMX, DJ Kool, Scarface, Keith Murray, Missy "Misdemeanor" Elliot, Method Man, Treach, Jewell, Mally G, Icarus, Saukrates, George Clinton, Streetlife, Adam F, Double O, D-Don, Roz, Shooga Bear, Martini Harris, Nasty Naj, Te Te, G. Forbes, Thomas Lytle.

Producers include: Da Mascot, Erick Sermon, Adam F, Diverse, DJ Twinz.

Engineers include: Tommy Uzzo, Kevin Lewis, Mike Koch.

Recorded at Mirror Image Studios, New York, New York; Westlake Studios, Newbury Park, California; The Enterprise, Burbank, California; Soundcastle Recording Studios, Los Angeles, California; Kaos Recording Studios, London, England.

Personnel: DMX, Jewell (vocals).

Audio Mixer: Tommy Uzzo.

Recording information: Enterprise Studio, Burbank, CA; Kaos Recording Studios, London, England; Metal Works, Mississauga, Canada; Mirror Image Studios, New York, NY; Westlake Audio, Newbury Park, CA.

Director: Adam F.

Arranger: Adam F.

He's back again. With help from such luminaries as Missy "Misdemeanor" Elliot, Method Man, and none other than the venerable but no less crazy George Clinton on the Parliament-influenced hip-hop shopping list of "J.U.M.P." Redman takes us all on yet another frantic excursion through steel-rimmed beats, spare backing tracks, and most of all, his irrepressible rhyming sensibilities.

Redman's first outing since DOC'S THE NAME is heavier in subject matter than that skit-filled collection. From the cheerful Cockney chappie (!) intro of "Roller Coaster," where the ride betrays a suspicious similarity to a prison lockdown, to the grainy "Real Niggaz," the erstwhile Reggie Noble heads for the hip-hop jugular with a set of hard rhymes guaranteed to move all but the most dyed-in-the-wool hip-hop haters.

He's back again. With help from such luminaries as Missy "Misdemeanor" Elliot, Method Man, and none other than the venerable but no less crazy George Clinton on the Parliament-influenced hip-hop shopping list of "J.U.M.P." Redman takes us all on yet another frantic excursion through steel-rimmed beats, spare backing tracks, and most of all, his irrepressible rhyming sensibilities.

Redman's first outing since DOC'S THE NAME is heavier in subject matter than that skit-filled collection. From the cheerful Cockney chappie (!) intro of "Roller Coaster," where the ride betrays a suspicious similarity to a prison lockdown, to the grainy "Real Niggaz," the erstwhile Reggie Noble heads for the hip-hop jugular with a set of hard rhymes guaranteed to move all but the most dyed-in-the-wool hip-hop haters.

Q (Summer/01, p.108) - 4 stars out of 5 - "...His weird, nightmarish rhymes sound like they were created out of blunt smoke thick enough to chew..."

Q (Summer/01, p.108) - 4 stars out of 5 - "...His weird, nightmarish rhymes sound like they were created out of blunt smoke thick enough to chew..."

The Source (7/01, pp.182-5) - 4 mics out of 5 - "...This Brock City veteran 'still' sounds like a new hot kid off mixtapes. This fresh-out-the-box rawness is exemplified here...proving that Red is still a part of rap's elite..."

The Source (7/01, pp.182-5) - 4 mics out of 5 - "...This Brock City veteran 'still' sounds like a new hot kid off mixtapes. This fresh-out-the-box rawness is exemplified here...proving that Red is still a part of rap's elite..."