Personnel: Brad Paisley (vocals, acoustic & electric guitars, 6-string tic-tac); Bill Anderson, George Jones, Buck Owens (vocals); Eddie Stubbs, Little Jimmy Dickens (spoken vocals); Gary Hooker (electric guitar); Mike Johnson (steel guitar); Darrell Scott (banjo, dobro, mandolin); Ron Block (banjo); Jim "Daddy" Heffernan (dobro); Justin "P-Bop" Williamson, Glen Duncan (fiddle); Carl Grodetsky & The Nashville String Machine (strings); Bernie Herms (piano, Hammond B-3 organ, keyboards); Kevin "Swine" Grantt (upright & electric basses); Eddie Bayers, Ben Sesar (drums); Glen Duncan, Mitch McMitchen, Brian David Willis (percussion); Wes Hightower, Chely Wright, Swine, Kenny Lewis, Chely Wright, Sonja Isaacs (background vocals).

Principally recorded at The Castle, Franklin, Tennessee.

"Munster Rag" was nominated for the 2002 Grammy Award for Best Country Instrumental Performance.

"I'm Gonna Miss Her" was nominated for the 2003 Grammy Awards for Best Male Country Vocal Performance.

Personnel: Buck Owens (vocals).

Audio Mixers: Joe Costa; Richard Barrow; Steve Short.

Recording information: The Castle, Franklin, TN.

Photographer: Nigel Parry.

Like many sophomore efforts called Part II, Brad Paisley's second album is indeed a continuation of the debut, but the singer/songwriter and guitarist hardly sounds like he's repeating himself the second time around. Instead, it sounds as if he's digging in deeper as both a writer and performer, which for the most part means that he's digging deeper into classic country, specifically the Bakersfield and honky tonk of the '60s and '70s. Ironically, one of the exceptions to the rule is the title track, a slow heartbreak ballad that sounds crafted with the radio in mind (even more ironically, it didn't turn into a hit), but apart from this song and a couple other left turns, like the too bombastic power ballad "I Wish You'd Stay," Paisley manages to make Part II sound simultaneously classic and contemporary. This is as true on lean, lively, guitar-heavy tunes like "Two Feet of Topsoil" and the rampaging instrumental "Munster Rag" as it is on the lazy, jazzy "You Have That Effect on Me," the haunting, folky "You'll Never Leave Harlan Alive," and his spare reading of the gospel standard "The Old Rugged Cross." And it's not just that Paisley is faithful to the sound and feel of classic country; he's a sucker for classic country corn, which surfaces as humor -- "All You Really Need Is Love," where all the hidden costs of a wedding are ticked off, or "I'm Gonna Miss Her," where he's enjoying a day fishing so his old girlfriend is slipping his mind -- and sentiment, as on the unapologetically sappy "Too Country," where George Jones, Buck Owens, and Bill Anderson are all hauled out to celebrate country clich‚s. It's this embrace of Nashville schtick that separates Paisley from other neo-traditionalists -- he values the music and he values the pageantry in equal measure, and he's excellent at both, as this thoroughly entertaining second album proves. ~ Stephen Thomas Erlewine

Here's a story you've heard a thousand times; an artist makes headway in the world of contemporary country pop while maintaining an intrinsic quirkiness and a commitment to real country roots. The difference here is that in Brad Paisley's case it's actually the truth, not just a marketing ploy. While there's a modicum of pop appeal and everyman sensibility to which Paisley's success can be attributed, he's no "hat act." His sense of humor (displayed not only in his lyrics, but in his inclusion of the self-explanatory instrumental "Munster Rag") and his ability to pen quirky, surprising tunes while remaining respectful of the honky-tonk verities make him a kind of blue-collar Lyle Lovett. While he's not as arch and post-modern as ol' LL, Paisley's got more going on upstairs than 99 percent of the cardboard cowboys cluttering up the country charts.

Entertainment Weekly (6/01/01, p.91) - "...Full of old-time Nashville hallmarks...this stylish effort harkens to the best of Alan Jackson, George Strait, and the freewheeling '60s honky-tonkers..." - Rating: B+