Personnel: Pinetop Perkins (vocals, piano).

It's remarkable enough that Pinetop Perkins released PINETOP PERKINS & FRIENDS mere weeks before his 95th birthday, but that the session is full of sensational playing and vital blues spirit is nothing short of miraculous. Perkins's vigor on the 88s defies the years; he sounds like a man half his age as he churns out blues classics such as "Got My Mojo Workin'" and "Sweet Home Chicago." To be sure, Perkins gets assistance from some heavy friends: B.B. King lends his stinging guitar, as do Eric Clapton and Jimmie Vaughan, alongside a host of other well-polished session men. With this 2008 release, Perkins proves that he doesn't intend to burn out or fade away, but to keep on rocking all night.

These superstar guest "friends" affairs can get awfully tiresome, but this one is better than most. It was recorded over a two and a half year period when the irrepressible Chicago blues and boogie pianist was 92-94 years old, yet he seems decades younger. The songs are generally Chicago blues standards such as "Got My Mojo Working," "Hoochie Coochie Man," "Look on Yonders Wall" and, Lord help us, "Sweet Home Chicago." Still, if anyone has earned the right to give these chestnuts another go-round it's Perkins. Even though he's played nearly all of them thousands of times, he's as enthusiastic and invigorated as if he'd just written these well-worn classics. The piano man is spry on the 88s, tinkling the ivories like he's half his age, especially on the jaunty "Take it Easy Baby," the lively opener. Even though producer Doug B. Nelson overdubbed many of the higher profile parts, the set sounds open and natural, avoiding the stiffness that usually results with projects such as this. Only Eric Clapton, Jimmie Vaughan, and B.B. King can be considered major stars with the rest of the "friends" lesser known blues stalwarts such as singer Nora Jean Brusco and bassist Willie Kent (Kent passed before this disc was finally released in June, 2008). Thankfully Perkins is in such bracing form that except for King, who trades quips with him on "Down in Mississippi," nobody overwhelms or even steals the spotlight from the album's star. On the slow blues "Anna Lee," Perkins sounds positively lascivious, but in a charming, non-threatening way. He's also inspired by "Hoochie Coochie Man," with Vaughan assisting, laughing at the end like a child. Hotshot slide guitarist Eric Sardinas redeems himself for his own over the top albums with zippy work here on "Barefootin'" and especially "Mojo..." Pinetop is so loose, upbeat, and cheerful for these sessions, you'd think he had another 94 years left in him. ~ Hal Horowitz

Dirty Linen (p.74) - "[B]oth an all-star tribute to Perkins and a testament to his remarkable stying power as a dazzling instrumentalist and a soulful, rocking vocalist."

Living Blues (p.75) - "It's a living testament to the staying power of the blues and the rejuvenating effect that boogie woogie blues piano has on the spirit."