Personnel: Michael Brecker (soprano & tenor saxophones, keyboards, EWI, programming); Randy Brecker (vocals, trumpet, flugelhorn); Armand Sabal-Lecco (vocals, bass, piccolo, bass, drums, percussion); Veera (vocals); David Sanborn (alto saxophone); Robby Kilgore (piano, Fender Rhodes piano, synthesizer, bass); George Whitty (Fender Rhodes piano, keyboards, programming); Maz (keyboards, programming); Dean Brown, Mike Stern (guitar); James Genus (acoustic & electric basses); Will Lee (bass, background vocals); Dennis Chambers (drums); Max Risenhoover (cymbals, programming); Don Alias, Bashiri Johnson (percussion); Malcom Pollack (background vocals).

Engineers include: Garry Rindfuss, Todd Childress, Malcolm Pollack.

Recorded at Right Track Recording, Soundtrack Recording and Electric Lady Studios, New York, New York.

Entertainment Weekly (11/6/92, p.68) - "...After a decade-long breather, these funk-fusion pioneers return to action, refreshed and reenergized....a fine hour for the fusion scene..." - Rating: A-

Q (12/92, p.117) - 3 Stars - Good - "...Pull in the belly, slick the pony-tail back off the bald patch, check the health insurance and party--the Brecker Brothers are back!..."

Jazziz (Dec.-Jan./92, p.94) - Picked by critic Josef Woodard as one of the 10 best jazz albums of 1992.

Audio Magazine (12/92, p.164) - "...The Brecker Brothers apparently understand the current technological and pop music trends, blending MIDI instrumentation with hip-hop fronting and African-rhythm accents....This album will be one of the heaviest on jazz-lite radio..."