Composer: John Zorn.

Personnel: John Zorn (alto saxophone); John Zorn; Reck (guitar); Dave Hofstra (double bass); Ikue Mori (drums, drum machine); Robert Quine (guitar); Zeena Parkins, Carol Emanuel (harp); Marty Ehrlich (reeds); Jim Staley (trombone); Anthony Coleman (piano); Wayne Horvitz (organ); Bobby Previte (percussion); Christian Marclay (turntables).

Liner Note Author: John Zorn.

Recording information: Radio City Studio (1986).

Photographer: Guga Melgar.

Unknown Contributor Roles: Marty Ehrlich; Jim Staley; Zeena Parkins; Robert Quine; Anthony Coleman; Wayne Horvitz; Christian Marclay; Dave Hofstra; Bobby Previte; Carol Emanuel; Ikue Mori; Reck; John Zorn.

Arranger: John Zorn.

John Zorn's Bribe is a continuation and extension of his album Spillane. Like its predecessor, this album features almost the same lineup of extraordinary NYC improvisers including pianist Anthony Coleman, drummer Bobby Previte, organist Wayne Horvitz, turntablist Christian Marclay, and harpists Zeena Parkins and Carol Emanuel. Unlike the fast-spliced pace of Spillane, which functioned as its own narrative, the music on Bribe is allowed to stretch and develop because it was composed as a background for the dialogue in three 30-minute radio plays by Terry O'Reilly (it was later adapted to a stage production). O'Reilly described his creation as "low art; " along the lines of little respected categories such as pulp fiction and B-movies. Zorn then constructed appropriate music, continually switching styles and filling it with pop references. The overall mood of Bribe is also different from Spillane and much of Zorn's work (excluding Film Works, Vol. 7), in that it maintains a light-hearted approach, weaving music box chimes and carnival sounds into the music. A nicer mood pervades this release, yet given its kaleidoscopic and slightly demented tone, it certainly can't be described as relaxed. Then again, maybe "relaxed" isn't too far off, after all -- perhaps by playing a supporting role to the production's cast instead of driving the concept, the musicians were able to enjoy themselves a little more. ~ Joslyn Layne