With this cerebral remake of the 1949 film noir gem CRISS CROSS, director Steven Soderbergh has renounced melodrama and suspense to instead create an art film with the emotional weight of Greek tragedy. The film weaves three time frames together to tell its story. In the present, Michael Chambers (Peter Gallagher) returns to Austin, Texas, for his mother's wedding. In the past, he flees town to escape an outrageous gambling debt, ditching his girlfriend, Rachel (Alison Elliott), in the process. And in the future, when Rachel's new boyfriend, Tommy (William Fichtner), a dangerous club owner, catches them having an affair, Michael comes up with a plan for Tommy to rob the armored car he drives. Soderbergh handles his material so deftly that the viewer is left to question whether it is fate or personal responsibility that drove the characters to their ends. Cinematographer Elliot Davis shoots each section with a distinct look in order to further distinguish the film's three chapters, giving the film a visual aesthetic that is overtly stylish and moody. As the flighty Michael, Gallagher is an attractive--and surprisingly comical--presence. His interactions with the rest of the cast (most notably, Elliott) are at turns hysterical, dramatic, and suspenseful.
THE UNDERNEATH is an elliptical noir thriller from director Steven Soderbergh. The story follows a charming drifter who returns to his hometown and launches a scheme to pull off an armored car heist and rekindle his passion for his ex-wife, who's engaged to a mob-connected nightclub owner. When the heist goes awry, the double crosses begin to pile up. Soderbergh's picture is an updated version of the 1948 Burt Lancaster film CRISS CROSS, which in turn was based on the novel by Don Tracy.
Theatrical release: April 7, 1995.
Shot on location in Austin, Texas.
Austin filmmaker Richard Linklater has a cameo as the doorman at the local club.
Screenwriter Sam Lowry is actually director Steven Soderbergh. Sam Lowry is the name of Jonathan Pryce's character in Terry Gilliam's BRAZIL.
Peter Gallagher also starred in Soderbergh's SEX, LIES AND VIDEOTAPE.
Soderbergh was initially slated to direct QUIZ SHOW instead of THE UNDERNEATH but was bumped from the former project when Robert Redford took over as director. Soderbergh told Film Comment (1/2001), "It was the best thing that ever happened to me because if I had made QUIZ SHOW, the tiny voice that was screaming at me to start over again and shake it up might have been extinguished. Making THE UNDERNEATH took the gag off that child."
Excerpt: "God, I love betting."--Michael (Peter Gallagher) to Rachel (Alison Elliott)
DVD Features:
Region 1
Keep Case
Widescreen - 2.35
Single Side - Single Layer
Audio:
Dolby Digital 5.1 - English
Additional Release Material:
Film Highlights
Trailers - 1. Original Theatrical Trailer
Text/Photo Galleries:
Production Notes
Biographies - 1. Cast & Filmmakers
DVD-ROM Features:
Web Links
Director of Photography
Elliot Davis: Cinematographer
Executive Producer
Joshua Donen: Producer
Executive Producer
Lionel Wigram: Producer, THE UNDERNEATH
Executive Producer
William Reid: Producer, THE UNDERNEATH
Production Designer
Howard Cummings: Production Designer, THE USUAL SUSPECTS (1995)
Screenplay
Daniel Fuchs: Screenwriter, Source Writer, Novelist, LOVE ME OR LEAVE ME
Story
Don Tracy: Novelist - Criss Cross
Music
Cliff Martinez: Composer
Review 1:
"...A hypnotic blend of suspense and eroticism....This seductive twisted thriller pulls you right in..."
Source: Rolling Stone
p.98 05/18/1995
Review 2:
"...Several subtle marvels of character acting are achieved....The motor here is undoubtedly the rigorously constructed plot, a maze of crossing paths..."
Source: Sight and Sound
p.54-5 03/01/1996
Review 3:
"...Peter Gallagher puts a fresh film noir spin on Burt Lancaster's old Criss Cross role in THE UNDERNEATH..." -- 3 1/2 out of 4 stars
Source: USA Today
p.4D 05/02/1995
Review 4:
"...Gallagher gets deep inside this gambler's rotten, addictive core....[Soderbergh] has made that rare thing, a modern-day noir with feeling." -- Rating: A-
Source: Entertainment Weekly
pp.42-3 05/12/1995
Review 5:
"...Intriguing....[The] plot strands are deftly orchestrated with an eye toward constructing a thematic argument....The visual style is intense..."
Source: Variety
03/20/1995
Review 6:
"...Alison Elliott is pitch perfect in conveying the mystery behind her character..."
Source: New York Times
p.C12 04/28/1995
Review 7:
"...Made with polish and assurance, capably acted and intricately constructed..."
Source: Los Angeles Times
p.F8 04/28/1995