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The Zombies (I Love You) [Remaster]
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Originally Released: 1966
Discs: 1
Label: Varese Sarabande (USA)
Item Number: VAR665682
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The Zombies (I Love You) [Remaster]
Track Listings
  Title
Listen
0.    I LOVE YOU:   
1.    Way I Feel Inside, The - (mono)
2.    How We Were Before - (mono)
3.    Is This the Dream - (mono)
4.    Whenever You're Ready - (mono)
5.    Woman - (stereo mix)
6.    You Make Me Feel Good - (mono)
7.    Gotta Get a Hold of Myself - (mono)
8.    Indication - (UK single version)
9.    Don't Go Away - (mono)
10.    I Love You - (stereo mix)
11.    Leave Me Be - (UK single version)
12.    She's Not There - (stereo mix)
13.    I Can't Make up My Mind - (mono)
14.    I Remember When I Loved Her - (mono)
15.    Remember You - (mono)   
16.    Just Out of Reach - (mono)
17.    Goin' Out of My Head - (mono)
18.    She Does Everything For Me - (mono)
Originally issued as Decca(4843)-1966.

The Zombies: Colin Blunstone (vocals); Rod Argent (keyboards); Chris White (bass guitar).

Liner Note Author: Andrew Sandoval.

Recording information: 1964 - 1970.

In 1966, the Zombies had already realized some success from their debut album, BEGIN HERE, but could not get their initial label, Decca, to release a follow-up. They defected to CBS, for whom they would record their masterwork, ODESSEY AND ORACLE, and, in the interim, Decca put out I LOVE YOU, a singles compilation that never saw US release. THE ZOMBIES (2004) marks the first American pressing of the aforementioned album, buoyed by a generous number of bonus tracks (additional A- and B-sides from the group's Decca years). While the conceptual baroque-pop sophistication of ODESSEY was still down the road, the phase represented by THE ZOMBIES shows the group to be one of the finest of the British Invasion-era bands--at their best they were fully on par with the Beatles' contemporaneous work.

Colin Blunstone's smokey, fragile tenor and Rod Argent's jazz/R&B-tinged electric keyboards drive the Zombies' sound, as the disc moves through familiar hits ("She's Not There," "I Love You") and more obscure tracks (the airy, touching "The Way I Feel Inside," the swirling, atmospheric "Gotta Get a Hold of Myself"). While the absence of CBS material keeps this from being a definitive anthology, it's as fine a slice of mid-'60s British pop as one could desire.


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