This is an Enhanced audio CD which contains regular audio tracks and multimedia computer files.

Personnel: David Bowie, Tina Turner, Iggy Pop (vocals); Derek Bramble (guitar, synthesizer, bass); Carlos Alomar (guitar); Guy St. Onge (marimba); Arif Mardin (synthesizer); Carmine Rojas (bass); Omar Hakim (drums); Sammy Figueroa (percussion); Robin Clark, George Simms, Curtis King (background vocals).

The Borneo Horns: Lenny Pickett (clarinet, tenor saxophone); Stanley Harrison (alto & tenor saxophones); Steve Elson (baritone saxophone).

Producers: David Bowie, Derek Bramble, Hugh Padgham.

Recorded at Le Studio, Morin Heights, Canada.

Digitally remastered by Peter Mew and Nigel Reeve (1999, Abbey Road Studios, London, England).

Personnel: David Bowie, Tina Turner, Iggy Pop (vocals); Derek Bramble (guitar, synthesizer, bass); Carlos Alomar (guitar); Guy St. Onge (marimba); Arif Mardin (synthesizer); Carmine Rojas (bass); Omar Hakim (drums); Sammy Figueroa (percussion); Robin Clark, George Simms, Curtis King (background vocals).

The Borneo Horns: Lenny Pickett (clarinet, tenor saxophone); Stanley Harrison (alto & tenor saxophones); Steve Elson (baritone saxophone).

Producers: David Bowie, Derek Bramble, Hugh Padgham.

Recorded at Le Studio, Morin Heights, Canada.

This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files.

Personnel: David Bowie (vocals, guitar, saxophone, keyboards); Derek Bramble (vocals, guitar, synthesizer, guitar synthesizer, bass guitar); Curtis King, Robin Clark, George Simms (vocals, background vocals); Tina Turner, Iggy Pop (vocals); Carlos Alomar (guitar); Stan Harrison (flute, saxophone, alto saxophone, tenor saxophone); Steve Elson (flute, baritone saxophone); Lenny Pickett (clarinet, tenor saxophone, wind); Mark Pender (trumpet, flugelhorn, horns); Guy St. Onge (marimba, percussion); Guy Stonge (marimba); Carmine Rojas (bass guitar); Omar Hakim (drums); Sammy Figueroa (percussion).

Audio Mixers: David Bowie; Hugh Padgham.

Audio Remasterer: Dan Hirsch.

Recording information: Le Studio, Morin Heights, Canada.

Arranger: Arif Mardin.

On the basis of Tonight, it appears that David Bowie didn't have a clear idea of how to follow the platinum success of Let's Dance. Instead of breaking away from the stylized pop of "Let's Dance" and "China Girl," Bowie delivers another record in the same style. Apart from the single "Blue Jean," none of the material equals the songs on Let's Dance, but that doesn't stop Tonight from becoming another platinum success. Nevertheless, the record stands as one of the weakest albums Bowie ever recorded. ~ Stephen Thomas Erlewine

On the basis of Tonight, it appears that David Bowie didn't have a clear idea of how to follow the platinum success of Let's Dance. Instead of breaking away from the stylized pop of "Let's Dance" and "China Girl," Bowie delivers another record in the same style. Apart from the single "Blue Jean," none of the material equals the songs on Let's Dance, but it's appealing pop-soul and dance stylings helped make Tonight another platinum success. ~ Stephen Thomas Erlewine

Following the enormous success of the vibrant and upbeat LET'S DANCE, David Bowie's follow-up TONIGHT was a slicker yet more enigmatic-sounding collection. Full of synthesizers and polite Arif Mardin arrangements, this record allowed Bowie to indulge himself, even if that meant not putting out LET'S DANCE II. Three songs were resurrected from the '70s Iggy Pop catalog and another newer one was co-written with Pop ("Dancing With The Big Boys.") A 1977 Pop song was used as the title track, on which Bowie duetted with Tina Turner (who was in the middle of a comeback herself) and turned it into a reggae-flavored love song. Elsewhere, the Thin White Duke paid tribute to the Beach Boys by covering "God Only Knows" and scored a hit with "Blue Jean," which was turned into a then-radical mini-film/music video.