Lars von Trier's bizarre yarn concerns Leopold Kessler (Jean-Marc Barr), a German American who becomes involved in a surreal nightmare in postwar Germany. Leopold travels to Germany in order to help restore the ravaged countryside. His uncle (Ernst-Hugo Jaregard) gets him a job as a sleeping-car conductor with a giant railway complex called Zentropa. On his first day, Leopold is seduced by Katharina Hartmann (Barbara Sukowa), who just so happens to be the daughter of Zentropa's owner. Leopold blindly falls for Katharina, unaware that she is about to draw him into a maze of suspense and intrigue involving pro-Nazi terrorists.
Opening with a hypnotizing image of rolling train tracks and a somber voice-over by Max Von Sydow, ZENTROPA unfolds calculatedly and ambiguously. Von Trier employs a series of ingenious technical tricks, using rear projection as well as cutting between color and black-and-white, in order to give his film a dazzling visual presentation. The result is a mysterious thriller that will beg for a second viewing once the final credits have rolled.
ZENTROPA is an alluring film that follows a German-American pacifist as he travels to Germany to help the country rebuild. Working on the railway Zentropa, he becomes involved with the daughter of the railway owner, who lures him into becoming a pawn in a pro-Nazi terrorist scheme. Lars von Trier's stylish thriller features hypnotic narration by the legendary Max von Sydow and is filmed with a variety of inventive visual techniques, resulting in another truly original motion picture.
Disappointed that his film didn't win the Cannes Film Festival's prestigious Palme d'Or, von Trier took a jab at jury president Roman Polanski by thanking "the midget" when he accepted the Grand Jury Prize.
The English subtitles are yellow.
Review 1:
"...The movie conceals its trump cards smartly, then plays them to full dramatic effect....It is a splendid movie..."
Source: Film Comment
p.2-4 09/01/1991
Review 2:
"...Striking and visually beautiful..."
Source: Chicago Sun-Times
p.37 07/03/1992
Review 3:
"...Visually arresting..."
Source: Sight and Sound
p.62 10/01/2002
Review 4:
"Lars von Trier's first big splash was this lucid-dreamt 1991 ride deep into the heart of postwar guilt."
Source: Film Comment
p.75 11/01/2008
Review 5:
"It's one part CASABLANCA, two parts ERASERHEAD, and all parts excellent." -- Grade: A
Source: Entertainment Weekly
p.46 12/19/2008
Review 6:
"...A comic-fantasy nightmare of the wickedest kind. It utilizes high-tech mixed media, audacious rear projection and shifts in pigment..." -- 3 1/2 out of 4 stars
Source: USA Today
p.4D 07/22/1992
Review 7:
"...It's innovative in its technique....Von Trier works up an inky, hermetic nightmare universe that is visually eloquent..."
Source: Los Angeles Times
p.F6 07/17/1992
Review 8:
"...[Von Trier is] fearless in showing off his cinematic know-how....Powerfully played by [Sukowa]..."
Source: New York Times
p.C14 05/22/1992