The Definitive Dinah Washington (Import)
Dinah Washington - CD
- Artist: Dinah Washington
- Format: CD
- Year: 2002
- Number of Discs: 1
- UPC: 4988005315366
- Item Number: MSI531536
- Release date: 10/28/2002
- 1. Evil Gal Blues
- 2. Embraceable You
- 3. New Blowtop Blues
- 4. Love Is Here to Stay
- 5. Big Long Slidin' Thing
- 6. A Foggy Day
- 7. I Don't Hurt Anymore
- 8. Teach Me Tonight
- 9. Blue Gardenia
- 10. My Ideal
- 11. I'll Close My Eyes
- 12. All of Me
- 13. What a Diff'rence a Day Made
- 14. Baby (You've Got What It Takes)
- 15. Unforgettable
- 16. This Bitter Earth
- 17. Invitation
- 18. Drinking Again
- 19. Me and My Gin
- 20. For All We Know
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The Definitive Dinah Washington (Import) by Dinah Washington on CD
This 20-track compilation released as a joint venture by Verve and Blue Note, covers a lot of ground -- from 1943 to 1962 -- but then, so did Dinah Washington. She sang down and dirty blues, lush ballads, romantic standards, sophisticated R&B, swinging jazz, and even country, and this disc gives a taste of each style. Her earliest recordings were rooted in the blues and are represented by 1943's low-down and nasty "Evil Girl Blues," 1951's "New Blowtop Blues," and the filthy and funny "Big Long Slidin' Thing" from 1954. By the mid-'50s Washington had segued into a more sophisticated jazz style. Her version of "Teach Me Tonight" from 1954 featuring Hal Mooney's orchestra is seminal, her recording of "White Gardenia" from 1955 nothing short of heartbreaking. She also did an incredible cover of Hank Snow's country hit "I Don't Hurt Anymore" in 1954. A nice inclusion is a live recording of "All of Me" from the 1958 Newport Jazz Festival that finds Washington commandeering Terry Gibbs' vibraphone and banging out a solo. By time the late '50s rolled around, Washington had begun recording R&B and pop under the guidance of Belford Hendricks. In 1959 he teamed her up with Brook Benton and they had an R&B hit with the sassy "Baby, You've Got What It Takes." Washington had a hit on her own with a silky and very smooth version of "What a Difference a Day Makes" in 1960. She jumped to Roulette in the early '60s and recorded pop songs, three of which are included here. Washington was an unforgettable singer and The Definitive Dinah Washington shows just why that is so. Highly recommended. ~ Tim Sendra, Rovi
- Artist: Dinah Washington
- Format: CD
- Year: 2002
- Number of Discs: 1
- UPC: 4988005315366
- Item Number: MSI531536
- Release date: 10/28/2002
- Label: East Wind
- Genre: Blues, Vocal, Jazz, R&B
- Style: Early R&B, Ballads, Jump Blues, Standards, Vocal Jazz
- Album Time: 70:36
- 20th Century Masters - The Millennium Collection: The Best of Dinah Washington
- 50 Greatest Hits
- 50 Greatest Hits
- After Hours with Miss D [Bonus Track]
- Ain't Gonna Cry No More
- Anthology [Bonus Tracks]
- Anthology 1943-1959: The Deluxe Edition
- Back to the Blues [Bonus Tracks]
- Ballads [Audiophile]
- Ballads [Blue Note]
- Blue Dinah
- Blue Gardenia
- Blues for a Day [Our World]
- Cocktail Hour
- Collection [EMI]
- Compact Jazz: Dinah Washington
- Complete 1943-1951 Mercury Master Takes
- Complete Recordings with Clifford Brown (Import)
- Complete Recordings with Clifford Brown [Lonehill Jazz]
- Dinah '62 [Bonus Tracks]
- Dinah Jams
- Dinah Jams [Japan]
- Dinah Washington : Best Of Dinah
- DINAH WASHINGTON : I GET KICK OUT OF YOU
- Dinah Washington for Lovers
- Dinah Washington Sings Bessie Smith
- Dinah Washington's Finest Hour
- Dinah Washington's Finest Hour (Import)
- Dinah!
- Diva: The Essential Collection
- Evil Gal
- First Issue: The Dinah Washington Story (The Original Recordings)
- For Those in Love
- Give Me Back My Tears
- Gold
- Gold
- Golden Classics
- Golden Greats
- Golden Songs
- Great
- Greatest Hits 1946-1953
- How to Do It
- I Know How to Do It
- I Wanna Be Loved
- I Wanna Be Loved
- I Wanna Be Loved [ZYX]
- I Was Born Ruth Lee Jones, But I'm Singing as Dinah
- I Was Born Ruth Lee Jones, But I'm Singing as Dinah
- If You Don't Believe Me I'm Leaving
- Jazz 'Round Midnight: Dinah Washington
- Jazz Masters
- Jazz Masters
- La Reine - The Queen: 1943-1957 (Import)
- Legendary Jazz: I Want to Be Loved
- Live at Birdland 1962
- Low Down Blues [Synergy]
- Mad About the Boy [LT Series]
- Mad About the Boy [Remember]
- Mad About the Boy [Remember]
- Mad About the Boy: The Best of Dinah Washington (Import)
- Mastercuts
- Mellow Mama
- Music for Lovers
- Queen Dinah (Import)
- Queen of the Blues [ASV/Living Era]
- Queen of the Blues [Box Set]
- Queen of the Juke Box: Live 1948-1955
- Queen: The Music of Dinah Washington
- Sings Fats Waller
- Slick Chick on the Mellow Side [CCM]
- Standards
- Swingin' Miss 'D' [2009 Bonus Tracks]
- Swingin' Miss 'D' [Bonus Tracks]
- Teach Me Tonight
- The Best of Dinah Washington [EMI]
- The Birdland Broadcasts 1951-1952
- The Collection [Wesgram]
- The Complete Dinah Washington on Mercury, Vol. 2 (1950-1952)
- The Complete Dinah Washington on Mercury, Vol. 7 (1961)
- The Definitive Dinah Washington
- The Difference Is Dinah
- The Difference Is Dinah
- The Diva Series
- The Diva Series
- The Essential
- The Essential Dinah Washington: The Great Songs
- The Essential Dinah Washington: The Great Songs
- The Fabulous Miss D! The Keynote, Decca and Mercury Singles 1943-1953
- The Queen Sings
- The Queen Sings Jazz
- The Ultimate Dinah Washington
- Through the Night with Dinah
- Two of Us
- Unforgettable
- Verve Jazz Masters 19
- Verve Jazz Masters 40: Dinah Sings Standards
- WASHINGTON,DINAH: DINAH & CLIFFORD
- What a Diff'rence a Day Makes!
- What a Diff'rence a Day Makes!
- DINAH WASHINGTON : WHAT A DIFFERENCE A DAY MAKES
- Mad About the Boy [Intenfrank]
- Eight Classic Albums (Import)
- The Essential (Import)
- Teach Me Tonight [Saga] (Import)
- 100 Hits Legends: Dinah Washington
- Anthology: 1943-1959
- Complete Recordings
- Our Love Is Here to Stay
- Composers:
-
Performers:
- Clarence "Sleepy" Anderson - Celeste
- Don Elliott - Mellophonium
- Belford Hendricks - Strings
- Candido Camero - Bongos
- Hal Mooney - Strings
- Terry Gibbs - Vibraphone
- Tommy Mitchell - Trombone (Bass)
- Arnett Cobb - Sax (Tenor)
- Barry Galbraith - Guitar
- Brook Benton - Vocals
- Cannonball Adderley - Sax (Alto)
- Cecil Payne - Sax (Baritone)
- Charles Davis - Sax (Baritone)
- Clark Terry - Trumpet
- Dave Young Orchestra - Sax (Tenor)
- Dinah Washington - Vibraphone, Vocals
- Ed Thigpen - Drums
- Eddie "Lockjaw" Davis - Sax (Tenor)
- Fred Radcliffe - Drums
- Freddie Green - Guitar
- George Barnes - Guitar
- Gus Chappell - Trombone
- Gus Johnson - Drums
- Jackie Davis - Organ
- Jerome Richardson - Saxophone, Flute
- Jimmy Cleveland - Trombone
- Jimmy Cobb - Drums
- Joe Morris - Trumpet
- Joe Zawinul - Piano
- Junior Mance - Piano
- Kenny Burrell - Guitar
- Keter Betts - Bass
- Max Roach - Drums
- Milt Buckner - Piano
- Milt Hinton - Bass
- Oliver Coleman - Drums
- Osie Johnson - Drums
- Panama Francis - Drums
- Paul E. West - Bass
- Paul Quinichette - Sax (Tenor)
- Paul West - Bass
- Quentin Jackson - Trombone
- Rick Henderson - Sax (Alto)
- Rudy Martin - Piano
- Rudy Rutherford - Clarinet
- Urbie Green - Trombone
- Vernon King - Bass
- Willie Cook - Trumpet
- Wynton Kelly - Piano
-
Credits:
- Bill Roberts - Design Coordinator
- Hal Mooney - Vocal Group, Conductor, Arranger
- Peter Pullman - Copy Editing
- Sherniece Smith - Design Coordinator
- Bryan Koniarz - Photo Research, Production Supervisor
- Burton Yount - Photo Research
- Daniel Zaccagnino - Production Assistant
- Gordon H. Jee - Creative Director
- Hollis King - Creative Director
- Mantis Evar - Production Supervisor
- Mark Smith - Production Assistant
- Belford Hendricks - Conductor, Arranger
- Chuck Stewart - Photography
- Don Costa - Conductor, Arranger
- Frank Driggs - Cover Photo
- Jeff Willens - Mastering
- Nook Shrier - Conductor
- Quincy Jones - Conductor, Arranger
- Robert Pruter - Liner Notes
- Bob Shad - Producer
- Clyde Otis - Producer
- Henry Glover - Producer
- Jack Tracy - Producer
- Leonard Feather - Producer
