A virtual-reality pusher sells escapist clips of other people's experiences to image-addled junkies in this punishing, darkly stylish cyberpunk thriller set during the final 48 hours of 1999.
It is 1999, and urban society is little more than a vast wasteland of anarchic violence. Seedy, burnt-out ex-cop Lenny Nero caters to the sensation-seeking citizens by dealing in "clips": virtual reality sequences where the user can "re-live" the experiences of another, including robberies, rape and murder. But Lenny's life is turned upside-down when two rabid cops, who want an incriminating clip that Lenny possesses, begin to pursue him. Furthermore, Lenny, with the help of female bodyguard Mace, is desperately searching throughout the chaotic enclaves of L.A. for his ex-girlfriend Faith, who he still loves.
Everything comes to a head at a wild, tremendous -- and turbulent -- New Year's Eve party that will usher in the new millennium.
Premiered at the 52nd Venice Film Festival (Venetian Nights) held August 30 through September 9, 1995.
Shown at the New York Film Festival October 7 & 8, 1995
Released theatrically in the USA October 13, 1995.
Color by CFI; DeLuxe prints; shot in Panavision widescreen.
Additional cast: Joe Uria (Keith), Nicky Katt (Joey Corto), Michael Jace (Wade Beemer), Louise LeCavalier (Cindy 'Vita' Minh), Jim Ishida (Mr. Fumitsu), David Carrera (Duncan), Todd Graff (Tex Arcana), and Brook Susan Parker (Cecile).
Additional credits: Suzanne Geiger, Sam Hoffman, Rebecca Strickland (assistant directors), Leigh French (voice casting), Malcolm Brown (camera operator), and Banned From the Ranch Entertainment (video graphics).
10,000 people were invited to a free concert to fill the street for the climactic showdown--a scene which required 2,000 balloons, half a ton of confetti, and hundreds of fireworks.
DVD Features:
Region 1
Keep Case
Full Frame - 1.33
Audio:
(unspecified) - English
Additional Release Material:
Alternate Scenes: Deleted Scenes
Behind the Scenes: Discussion of Opening POV (with Director Kathryn Bigelow)
Trailers:
1. Theatrical Trailer
2. Teaser Trailer
Stars
Ralph Fiennes: British actor, THE ENGLISH PATIENT, SCHINDLER'S LIST
Angela Bassett: American actress, WHAT'S LOVE GOT TO DO WITH IT
Juliette Lewis: American Actress, NATURAL BORN KILLERS
Tom Sizemore: American Actor
Michael Wincott: British Supporting Actor
Vincent D'Onofrio: American actor
Glenn Plummer: Star, MENACE II SOCIETY (2003)
Richard Edson: Star, HARD SCRAMBLED (2006)
Director
Kathryn Bigelow: Director/Screenwriter
Producer
James Cameron: Director/Screenwriter, TITANIC (1997), ALIENS (1986)
Steven-Charles Jaffe: Producer
Screenwriter
James Cameron: Director/Screenwriter, TITANIC (1997), ALIENS (1986)
Jay Cocks: Screenwriter
Composer
Graeme Revell: Score composer
Editor
Howard E. Smith: American Editor, STRANGE DAYS (1995), TEX (1982)
Costume Designer
Ellen Mirojnick: Costume Designer, THE SENTINEL (2006)
Director of Photography
Matthew F. Leonetti: Director of Photography, FAST TIMES AT RIDGEMONT HIGH (1982)
Music Performer
Deep Forest: Electronica band
Production Designer
Lilly Kilvert: Production Designer, THE LAST SAMURAI (2003)
Special Effects
Digital Domain: Special effects company
Story
James Cameron: Director/Screenwriter, TITANIC (1997), ALIENS (1986)
Review 1:
"...A visionary triumph....The dazzling, era-defining STRANGE DAYS stands its moral ground..."
Source: Rolling Stone
p.156-7 10/19/1995
Review 2:
"...[Fiennes is] fun to watch here..."
Source: USA Today
p.4D 10/06/1995
Review 3:
"[A] visceral, violent distillation of America on the cusp of the 21st century..."
Source: Uncut
p.138 08/01/2001
Review 4:
"...Breathtaking....Racing visuals thunderously reinforced by sonic closure..."
Source: Sight and Sound
p.53-4 01/01/1996
Review 5:
"...STRANGE DAYS has a dazzling atmostphere of grunge futurism..."
Source: Entertainment Weekly
p.49 10/20/1995
Review 6:
"...A technical tour de force for director Kathryn Bigelow and her team, who dazzlingly root this future noir in a technology that allows a viewer to revisit someone else's experience....The film is a triumph..."
Source: Variety
09/04/1995
Review 7:
"...The movie is a technical tour de force....The pacing is relentless, and the editing, by Howard Smith, creates an urgency and desperation..."
Source: Chicago Sun-Times
p.35 10/13/1995