Robert Altman's adaptation of Michael Tolkin's novel gives the notorious director a chance to address perhaps his greatest nemesis: the Hollywood studio system. Disguised as a thriller, the film assembles virtually every famous actor in Hollywood to create an exhilarating blend of real life and fiction. Tim Robbins plays Griffin Mill, a studio executive who begins to fear for his job when upstart Larry Levy's (Peter Gallagher) name becomes a hot topic on the lot. After receiving threatening postcards from an unidentified writer, Griffin tracks down David Kahane (Vincent D'Onofrio), who he thinks is the guilty party. The two argue, with disastrous results. Later, as Griffin struggles to keep his job while trying to distance himself from the law, he finds himself falling in love with Kahane's mysterious girlfriend (Greta Scacchi). THE PLAYER is a vicious satire that exposes the Hollywood industry as fraudulent, weak, and shallow. Altman's film also sends up both the noir genre and filmmaking technique, the latter notably in an extended opening shot which is a sprawling one-take that covers the studio's entire lot and features a series of hysterical pitches by actual screenwriters, including Buck Henry offering forth on his concept for THE GRADUATE 2. Bitter and electric, THE PLAYER ends on an ironic upbeat note that perfectly concludes a stellar picture.
Released in New York City and Los Angeles April 10, 1992.
Filmed in Los Angeles and Two Bunch Palms, California; and Mexico.
THE PLAYER's estimated budget was $8 million.
In addition to being nominated for an Oscar for Best Director--and winning that honor at Cannes--Robert Altman was named Best Director of 1992 by the London Film Critics Circle and by the Boston Society of Film Critics.
The long single tracking shot that opens THE PLAYER was reportedly inspired by the legendary establishing shot at the beginning of Orson Welles's TOUCH OF EVIL.
In the novel's ending, Griffin loses his job and goes to work for a production company that works out of an office building and Larry Levy moves into the head office of the studio.
Screenwriter Michael Tolkin (on whose novel the film was based) and his brother Stephen, also a screenwriter, appear in the film as the "Schecter brothers," a takeoff on the Coen brothers, the independent filmmakers responsible for such films as BLOOD SIMPLE and BARTON FINK.
Michael Tolkin was nominated for an Oscar for his adaptation, and won the 1992 Best Adapted Screenplay Award from the Writers Guild of America and a similar award from the London Film Critics Circle.
Tim Robbins garnered the Best Actor award at Cannes for his portrayal of Griffin Mill.
Screened at Cleveland International Film Festival (opening film), San Francisco Film Festival (opening film), Cannes Film Festival (in competition), and San Sebastian Film Festival in 1992.
The film features a clip from Vittorio DeSica's THE BICYCLE THIEF.
DVD Features:
Region 1
Snap Case
Full Frame - 1.33
Widescreen - 1.77
Audio:
Dolby Digital - English 5.1
Dolby Digital Stereo - French
Dolby Digital Multi-Channel Surround Sound
Additioal Release Material:
Trailer - 1. Original Theatrical
Commentary by Robert Altman, Michael Tolkin,
Robert Altman Featurette
Interactive Features:
Five Deleted Scenes
Special Cameo Menu
Stars
Tim Robbins: American Actor/Director, BOB ROBERTS (1992)
Greta Scacchi: Actress/In USA
Whoopi Goldberg: Oscar-winning actress/comedian, GHOST
Fred Ward: American Actor
Peter Gallagher: American Actor
Cynthia Stevenson: TV/Film Actress/"Newhart"
Sydney Pollack: American Director, producer, actor
Julia Roberts: Oscar-winning American actress, ERIN BROCKOVICH
Mimi Rogers: American Actress
Gina Gershon: American Supporting Actress
Lyle Lovett: American Singer/Actor
Randall Batinkoff: American Supporting Actor
Vincent D'Onofrio: American actor
Elliott Gould: American Actor
Sally Kellerman: American Actress, MASH (1970)
Lily Tomlin: American Actress/Comedienne
Brion James: Actor
Richard E. Grant: British Actor
Dean Stockwell: American Actor
Cher: Oscar Winning Music Performer/Actress, MOONSTRUCK
Dina Merrill: American Supporting Actress
Steve James: Actor, AMERICAN NINJA
Maxine John:
Sally Kirkland: American Actress
Marlee Matlin: American Actress/Deaf
Andie MacDowell: American Actress/Model
Malcolm McDowell: British Actor
Jayne Meadows: American Film and Television Actress,
Martin Mull: Barth Gimble of TV's "Fernwood 2-Night"
Jennifer Nash: Actress
Nick Nolte: American actor, AFFLICTION
Alexandra Powers: Actress/"Dead Poets Soc."
Bert Remsen: American Film/TV Actor
Guy Remsen:
Patricia Resnick:
Burt Reynolds: American actor, director
Jack Riley: Actor/B-Films
Annie Ross: Actress/Jazz Singer
Alan Rudolph: American Director/Screenwriter
Jill St. John: American TV/Film Actress
Susan Sarandon: Oscar winning actress, DEAD MAN WALKING
Adam Simon: Director/"Brain Dead"
Rod Steiger: American actor, IN THE HEAT OF THE NIGHT (1967)
Joan Tewkesbury: Screenwriter/TV Director
Brian Tochi: Actor/Voice-Overs
Robert Wagner: American actor, HART TO HART, AUSTIN POWERS
Ray Walston: American Actor
Bruce Willis: American actor, THE SIXTH SENSE (1999)
Marvin Young:
Althea Gibson: Black Tennis/Golf pro - 1957 Female Athlete of the Year
Scott Shaw:
Rene Auberjonois: American Supporting Actor
Gary Busey: American Actor
Jeremy Piven: TV/stage/film actor, Entourage/SMOKIN' ACES
Michael Tolkin: American Director/Screenwriter
Angela Hall:
Margery Bond:
Susan Emshwiller:
Jeff Weston: Supporting Actor
Pamela Bowen:
Director
Robert Altman: Director/Screenwriter/Film Producer, NASHVILLE (1975)
Producer
David Brown: Producer, worked with Richard Zanuck, began in '73, JAWS
Michael Tolkin: American Director/Screenwriter
Nick Wechsler: Producer/Executive
Screenwriter
Michael Tolkin: American Director/Screenwriter
Editor
Geraldine Peroni: Editor
Costume Designer
Lydia Tanji:
Director of Photography
Jean Lepine:
Production Designer
Stephen Altman: Production Designer, RAY (2004)
Story
Michael Tolkin: American Director/Screenwriter
Associate Producer
David Levy: Associate Producer, mostly Robert Altman films
Review 1:
"...So entertaining, so flip and so genially irreverent that it seems to announce the return of the great gregarous film maker....The members of the huge cast seem to be having a great night out on the town..."
Source: New York Times
p.C16 04/10/1992
Review 2:
Ranked #8 in Entertainment Weekly's "10 Favorite Films of the 90's" - "...Altman's ticklish satire can stand with his timeless work..."
Source: Entertainment Weekly
p.160 04/01/2000
Review 3:
"...THE PLAYER is a true comeback film for Altman -- a return, after more than 15 years, to the infinitely sly and supple virtuosity that marked his great film of the '70s..."
Source: Entertainment Weekly
p.38-40 04/10/1992
Review 4:
"...An artful stiletto aimed at the bashful heart of Hollywood....An extremely pointed and knowing show-biz dissection..."
Source: Los Angeles Times
p.F1 05/01/1992
Review 5:
"...What makes THE PLAYER the best and boldest American comedy in years is Altman's wizardry at leavening anger with cathartic wit..."
Source: Rolling Stone
p.63-4 04/30/1992
Review 6:
"...THE PLAYER is a smart movie, and a funny one. It is also absolutely of our time..."
Source: Chicago Sun-Times
p.37 04/24/1992
Review 7:
"...[The film] includes the greatest tracking shot this side of TOUCH OF EVIL and cameos from everyone: Bruce Willis, John Cusack, Julia Roberts..."
Source: Total Film
p.137 07/01/2003
Review 8:
5 stars out of 5 -- "Altman set about mocking the hypocrisy of the business that had exiled him. In the guise of a black-comic thriller, he exposed the Hollywood malaise. And Hollywood loved him for it."
Source: Empire
p.142 02/01/2008