Personnel: Alicia Keys (vocals, various instruments, piano, keyboards); Jimmy Cozier (vocals): Gerald "G" Flowers, Arty White (guitar); Miri (violin); Isaac Hayes (Fender Rhodes piano); Brian Cox (keyboards); Richie Good (upright bass); Tim Shider, Vic Flowers, Rufus Jackson (electric bass); Norman Hedman (percussion); Kerry "Krucial" Brothers, Anthony Nance (programming); Cindy Mizelle, Tammy Saunders, Andricka Hall, Paul L. Green, Kandi B (background vocals).

Producers: Jermaine Dupri, Brian McKnight, Alicia Keys, Kerry "Krucial" Brothers.

Alicia Keys won the 2002 Grammy Award for Best New Artist. SONGS IN A MINOR won the 2002 Grammy Award for Best R&B Album. "Fallin'" won the 2002 Grammy Awards for Best Female R&B Vocal Performance and for Best R&B Song.

Personnel: Alicia Keys (vocals, piano, keyboards, background vocals); Arty White, Cato (guitar); Isaac Hayes (Fender Rhodes piano); John Peters (organ); Brian Cox (keyboards); Richie Goods (acoustic bass, electric bass); Norman Hedman (percussion); Kerry Brothers, Anthony Nance (drum programming); Cindy Mizelle, Kandi Burruss, Paul Green, Andricka Hall (background vocals).

Audio Mixers: Manny Marroquin; Gerry "The Gov" Brown; Phil Tan; Russell Elevado; Tony Maserati.

Audio Remixer: Alicia Keys.

Recording information: Backroom Studios, Glendale, CA; Battery Sounds, New York, NY; Battery Studios, New York, NY; Doppler Studio, Atlanta, GA; Hit Factory, New York, NY; KrucialKeys Studios, New York, NY; SouthSide Studios, Atlanta, GA; The Hit Factory, New York, NY; Unique Recording Studios, New York, NY.

Photographer: Tony Duran.

Unknown Contributor Role: Tim Shider.

Arrangers: Kandi; Kandi Burruss; Alicia Keys.

Alicia Keys' debut album, Songs in A Minor, made a significant impact upon its release in the summer of 2001, catapulting the young singer/songwriter to the front of the neo-soul pack. Critics and audiences were captivated by a 19-year-old singer whose taste and influences ran back further than her years, encompassing everything from Prince to smooth '70s soul, even a little Billie Holiday. In retrospect, it was the idea of Alicia Keys that was as attractive as the record, since soul fans were hungering for a singer/songwriter who seemed part of the tradition without being as spacy as Macy Gray or as hippie mystic as Erykah Badu while being more reliable than Lauryn Hill. Keys was all that, and she had style to spare -- elegant, sexy style accentuated by how she never oversang, giving the music a richer feel. It was rich enough to compensate for some thinness in the writing -- though it was a big hit, "Fallin'" doesn't have much body to it -- which is a testament to Keys' skills as a musician. And, the fact is, even though there are some slips in the writing, there aren't many, and the whole thing remains a startling assured, successful debut that deserved its immediate acclaim and is already aging nicely. ~ Stephen Thomas Erlewine

Picture Roberta Flack with hip-hop trimmings or D'Angelo coming at the world from a female perspective and you get an idea of the immense talent welling up from musical prodigy Alicia Keys. Blessed with a soulful voice, mature-beyond-her-years songwriting, and a classically trained command of piano, it's no wonder music mogul Clive Davis brought the 20-year old performer over from Arista as one of the flagship artists for his new label J Records. Keys displays impressive range on this primarily self-penned debut that finds her taking part in arranging and/or production on every cut, once again redeeming Davis's instincts.

Besides the well-earned buzz for the gripping love-and-loathe single "Fallin'," Keys earns high marks for fusing rap beats and vintage Aretha on a confidently delivered cover of Prince's "How Come You Don't Call Me." Elsewhere, the native New Yorker's flow finds her traversing the same ground as early-'70s Stevie Wonder on the thought-provoking "The Life," while "Goodbye" proves to be the quintessential Quiet Storm kiss-off. Keys wraps up SONGS with a sanctified mix of stride piano, lush strings, and gospel-flavored back-up singers on "Lovin' U."

Rolling Stone (1/03/02, p.118) - Ranked #2 in Rolling Stone's "Top 10 2001".

Rolling Stone (7/19/01, p.53) - 3 stars out of 5 - "...Keys shows a maturity beyond her years...suggesting down-home R&B contemporaries like Jill Scott as well as yesteryear's soul sophisticates..."

Entertainment Weekly (6/29-7/6/01, p.144) - "...A debut full of promise..." - Rating: B

Q (1/03, p.56) - Included in Q Magazine's "100 Greatest Albums Ever"

Q (9/01, p.110) - 4 stars out of 5 - "...A prime candidate to head up the nu-soul revolution...with a voice that challenges Mary J. Blige's....Key's R&B trips to a fundamentally more old-skool set of values....Her sincerity is another plus..."

Uncut (11/01, p.112) - 4 stars out of 5 - "...Frequently stunning....Keys soars like a young Aretha Franklin..."

CMJ (4/30/01, p.21) - "...The singer showcases her classical piano training atop slow and somber percussion...her deep soulful voice and heartfelt delivery carry the songs..."

Mojo (Publisher) (1/02, p.71) - Ranked #27 in Mojo's "Best [40] Albums of 2001".