This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files.

Athlete: Joel Pott (vocals, guitar); Carey Willets (bass instrument); Steve Roberts (drums).

Additional personnel: Matt Frost, Adam Mills (programming).

Apparently damned in its home country for being just a little too much out of time -- the band is not really Brit-pop per se but has a certain amiableness about it that suggests a certain love of things from the heyday -- Athlete is perfectly, almost aggressively pleasant. "You Got the Style" might have been specifically about race riots in early 21st century Britain, but Athlete is not out to surprise, to disrupt, or to otherwise cause problems, while the band is also not "twee" as such, or emo or the like. If anything, they're doing something enjoyably relaxed enough that won't make you hate yourself, as the likes of Toploader did all too easily. Vehicles & Animals contains early singles plus more recent efforts and generally makes for a great listen on a lazy and warm afternoon -- not party music, but quietly hooky good times. Every so often something will spark up that makes a bit more sense of the Super Furry Animals and Pavement comparisons that the group has received -- the shift to electronic percussion and deep bass at the end of "One Million," the flecks of lazy semi-slacker singing from lead figure Joel Pott throughout. There's enough keyboard bubbling and arrangements throughout that suggest the group might actually benefit from going to that full-time, and while hardly reinventing them, the beat songs like "Out of Nowhere" are given a pleasant post-Beck tinge. The band's at its best when it just concentrates on doing what it likes -- "Shake Those Windows" is a winning example, where a low-key enough song suddenly shifts into a really summery chorus thanks to a grand semi-country guitar line and builds into a sweetly triumphant full-band conclusion. Even the sudden burst of a feedback-laden blast part way through "New Project" doesn't seem like a disruption of the general flow of Vehicles & Animals, and that's to its good. ~ Ned Raggett

Apparently damned in its home country for being just a little too much out of time -- the band is not really Brit-pop per se but has a certain amiableness about it that suggests a certain love of things from the heyday -- Athlete is perfectly, almost aggressively pleasant. "You Got the Style" might have been specifically about race riots in early 21st century Britain, but Athlete is not out to surprise, to disrupt, or to otherwise cause problems, while the band is also not "twee" as such, or emo or the like. If anything, they're doing something enjoyably relaxed enough that won't make you hate yourself, as the likes of Toploader did all too easily. Vehicles & Animals contains early singles plus more recent efforts and generally makes for a great listen on a lazy and warm afternoon -- not party music, but quietly hooky good times. Every so often something will spark up that makes a bit more sense of the Super Furry Animals and Pavement comparisons that the group has received -- the shift to electronic percussion and deep bass at the end of "One Million," the flecks of lazy semi-slacker singing from lead figure Joel Pott throughout. There's enough keyboard bubbling and arrangements throughout that suggest the group might actually benefit from going to that full-time, and while hardly reinventing them, the beat songs like "Out of Nowhere" are given a pleasant post-Beck tinge. The band's at its best when it just concentrates on doing what it likes -- "Shake Those Windows" is a winning example, where a low-key enough song suddenly shifts into a really summery chorus thanks to a grand semi-country guitar line and builds into a sweetly triumphant full-band conclusion. Even the sudden burst of a feedback-laden blast part way through "New Project" doesn't seem like a disruption of the general flow of Vehicles & Animals, and that's to its good. [The U.S. release of Vehicles & Animals contains two bonus tracks.] ~ Ned Raggett

Athlete updates the amiable, melodic Britpop sound of Coldplay, Travis, et al slightly by discreetly coloring its debut album, VEHICLES & ANIMALS, with synthesizers and loops. It's not exactly Kraftwerk; the arrangements still revolve around guitars and drums, but they're given extra texture by the subtly employed electronics. Lyrically, Athlete's not as straightforward as its aforementioned predecessors; there's more self-referential irony and deadpan humor in the band's songs. But the simple pop hooks around which the melodies are crafted shouldn't be jarring to anyone who spent the early 2000s replaying PARACHUTES or THE MAN WHO. The US version of VEHICLES & ANIMALS (which came out a year after its UK counterpart) contains a bonus video track, as well as an extra song, "A Few Differences," a brief tune whose electronic elements are a bit more pronounced, bearing a closer resemblance to British synth-mongers Simian, and suggesting at least one possible direction for future Athlete releases.

CMJ (p.5) - "The band's hooks are rounded at the edges and placed in mid-tempo territory, creating something both laid back and quietly innovative."