Composer: Shigeru Umebayashi.

Personnel: Kouichiro Tashiro (guitar); Deng Le, Li Qi, Shu Fang, Wang Qiao, Song Hongfei, Gao Ruiyun, Wang Qi, Duan Yan, Xu Bin, Jiang Ting, Zhou Yu (pipa); Hitoshi Konno (violin); Xue Ke, Jia Peng Fang (erhu); Shota Mochizuki (bamboo flute); Aki Takahashi (ocarina); Bob Zung (saxophone); Bi Xiaodi, Takehiko Yamada (piano); Wang Shuai, Ikuo Kakehashi (percussion); Tadashi Yabe (programming); Dai Ya (dizi); Zhang Xuanlian (yang-chin).

Audio Mixers: Minoru Tanaka; Xu Gang.

Recording information: Bunkamura Studio; Dingtian Studio, Beijing, China; Studio Shanglira; Victor Studio.

Editor: Minoru Tanaka.

Photographer: Bai Xiao Yan.

Shigeru Umebayashi's score for Zhang Yimou's House of Flying Daggers is a study in simplicity, featuring a few understated but hypnotic themes that are repeated with different arrangements of traditional Chinese and Western instruments. Considering that Umebayashi also wrote the music for Wong Kar Wai's In the Mood for Love, it's understandable that this score's romantic moments are among the standouts. The "Lovers" theme has a pure, yearning melody that works as well in a stripped-down arrangement as it does in the more lavish "Lovers (Flower Garden)" and "Lovers (Mei and Jin)." Soprano Kathleen Battle's version of the song is more overtly Western-sounding but still retains the melody's almost unearthly beauty. The score's bittersweet romance is balanced out by a few percussion-driven tracks that score the film's action sequences, but even pieces like "Battle in the Forest" and "No Way Out" are more melodic than might be expected. Gentle drama and restraint are the watchwords for most of the score, particularly on "Bamboo Forest," "Taking Her Hand," "Ambush in Ten Directions (Shi Mian Mai Fu)," and "The House of Flying Daggers" itself. The score's subtlety helps give House of Flying Daggers its own identity and, in the long run, makes the music more compelling than more bombastic music would be. ~ Heather Phares