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Originally Released: 2002
Discs: 1
Label: MCA Records (USA)
Item Number: UNI869962

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Track Listings
  Title
Listen
1.    Let Go
2.    Breathe In
3.    It's Good to Be in Love
4.    Must Be Dreaming
5.    Psychobabble
6.    Only Got One
7.    Shh
8.    Hear Me Out
9.    Maddening Shroud
10.    Flicks
11.    Dumbing Down of Love, The
Frou Frou: Imogen Heap (vocals, guitar, piano, synthesizer, drums, programming); Guy Sigsworth (gutiar, piano, synthesizer, drums, programming).

Additional personnel includes: Iona Petcu-Colan (violin); Dair Malloy (glass harmonica, handbells, waterphone); Jon Hassell (trumpet); Elad Elharar (bass); Mich Gerber (bowed double bass); Makoto Sakamoto (drums).

Personnel: Imogen Heap (vocals, guitar, piano, synthesizer, drums, sampler); Guy Sigsworth (guitar, piano, synthesizer, drums, sampler); Jon Hassell (trumpet); Makoto Sakamoto (drums).

Audio Mixers: Damian Taylor; Guy Sigsworth; Tom Elmhurst; Imogen Heap.

Recording information: At Home; Flat Studio, Bern, Switzerland; FrouFrou Central, London, England; Ganalahari Studios, Bangalore, India; Rak Studios, London, England.

Arrangers: Guy Sigsworth; Imogen Heap.

What do you get when you combine a producer/electronics whiz who's worked with Madonna, Bjork, and Seal, and a distinctive, charming female singer? Judging from the results of Frou Frou's debut album details, you get a duo capable of combining complex, arresting sonic vistas with very organic, intimate vocals to fine effect. From the dreamy, hypnotic quality of the opening track "Let Go" to the airy, Beth Orton-like "Hear Me Out," Guy Sigsworth consistently manages to find just the right setting for Imogen Heap's up-close vocal style. Whether Sigsworth is employing delicate ambient textures, gentle trip-hop beats, or near-techno dance arrangements, he's perfectly in tune with both the mood of the song and the breathy-but-confident delivery of Heap. There's an audible air of artistic simpatico between the two that runs throughout DETAILS and makes the whole thing work.

Uncut (10/02, p.104) - 3 stars out of 5 - "...a breathtaking voice...commercial yet experimental and occasionally even charmingly eccentric. Decent songs, too..."


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