Miracles

Delphian's first orchestral recording presents a richly imagined new choral symphony by Edward Harper, setting it alongside chamber works by this inventive and limpidly expressive composer. Harper's music takes it's place firmly within the British symphonic tradition, yet ranges wider still in it's deeply felt response to human experience, from the nineteenth-century Dorset of William Barnes to a message of hope and reconciliation from the present-day Middle East.

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