Righteous Rage

On her Cantaloupe debut, Rebekah Heller explores the full range of capabilities of the bassoon-not just as a solo instrument, but also, through careful and precise multi-tracking, as a percussive and regenerative source of sound that suggests infinite musical possibilities. The album opens with a blistering take on Julius Eastman's legendary The Holy Presence of Joan d'Arc, which Heller arranged for ten bassoons based on the painstaking transcription of Eastman's 1981 live performance at The Kitchen (NYC) by cellist and composer Clarice Jensen. From there, Steve Reich's original Cello Counterpoint is reworked into Grand Street Counterpoint-again, for ten bassoons, with bassoon soloist-with Reich himself collaborating as co-producer. Heller also commissioned three composers, all of whom have explored the modern intersection of avant-garde, jazz, experimental, and classical music, to contribute their distinctive voices to the project. Jessie Cox's Sonic Cartographies and Fay Victor's Nurture (for Ingram) both tap into a wellspring of deep inspiration (with Cox drawing from his fascination with sound and movement, and Victor from her poignant memories of jazz musician Ingram Washington), while Green's piece Righteous Rage gives the album it's title: a fiery and fierce exposition on the world we're leaving for the next generation.

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